| 中文內容 | -音樂教師
代上 15:22 25:7,8 代下 23:13
-獻祭時奏樂
代下 29:27,28
-領唱
尼 12:42
-伶長 (首席樂師)
尼 12:42 哈 3:19
-以西結在異象中見到聖殿有專門給樂師的屋子
結 40:44
-天上的音樂
啟 5:8,9 14:2,3 15:2,3
-樂器
.由猶八發明
創 4:21
.由大衛製作
代上 23:5 代下 7:6 29:26 摩 6:5
.由所羅門製作
王上 10:12 代下 9:11 傳 2:8
.由推羅人製作
結 28:13
.號角
但 3:5,7,10
.見 號角
.鈸
.見 鈸
.笙, 一種雙排笛
但 3:5,10,15
.笛
但 3:5,7,10,15
.迦特, 一種弦樂器
詩 8 81:1-16 84:1-12
.豎琴
.見 豎琴
.簫, 可能由吹奏不同音符的管笛組成
創 4:21 伯 21:12 30:31 詩 150:4
.笛子
.見 笛子
.瑟
.見 瑟
.琴, 一種豎琴
但 3:5,7,10,15
.鈴鼓, 手鼓
.見 鈴鼓
.號角
.見 號角
.六弦提琴, 琵琶類樂器
賽 5:12 14:11 摩 5:23 6:5
-音樂符號
-女音
.(直譯為處女)
.音樂術語, 出現在
代上 15:20
.出現在下列詩篇的標題
詩 46:1
.(似乎是指歌曲以女聲呈現, 可能是女高音)
-休要毀壞
.出現在下列詩篇的標題
詩 57:1 58:1 59:1 75:1
.(似乎用來指頌歌種類, 或者唱頌歌應該用的某種旋律)
-幽雅的聲音
詩 92:2
.(根據 Gesenius 所言, 這意味著豎琴嗚咽的音調, 因此
彈奏的曲風應該是哀愁的)
詩 9:16
.(與「細拉」連用時, 可能用來指人聲暫歇, 而樂器部分
是間奏)
詩 19:14
.(Mendelssohn 把這個字譯為「沈思、默想」。因此, 音
樂要用促使人敬虔默想的方式演奏)
-麻哈拉, 訓誨詩, 利暗俄
.這些詞見於下列詩篇的標題
詩 53:1 88:1
.(關於這些詞的意義, 專家仍在摸索, 可能是指要用何種
樂器演奏, 或用何種旋律詠唱)
-訓誨詩
.這個音樂記號出現在下列詩篇的標題
詩 32:1 42:1 44:1 45:1 52:1 53:1 54:1 55:1 74:1
詩 78:1 88:1 89:1 142:1
.(意思費解, 不過這個詞出現在詩篇標題之外的地方, 意
義相當於「教誨」, 或是因教誨而有智慧; 因此, 詩 47:7
:「你們要用悟性歌頌」)
-金詩
.音樂術語, 出現在下列詩篇的標題
詩 16:1 56:1 57:1 58:1 59:1 60:1
.(Luther 把這個詞解釋為「黃金般的」, 亦即「珍貴的」,
Ewald 的解釋則是這個詞表示曲風哀傷)
-慕拉便
.出現在下列詩篇的標題
詩 9:1
.(古代與現代學者對於這個詞可能的意思眾說紛紜。Gesenius
和 申 Wette 解釋這個詞是「以童男的聲音, 由男孩所
唱」, 其他人則推論這個詞源自另一個希伯來字根, 解
釋它表明該詩篇是輓歌)
-絲弦的樂器
.出現在下列詩篇的標題
詩 4:1 54:1 55:1 61:1 67:1 哈 3:19
.(這個詞似乎是用來指這首歌應該用弦樂器伴奏)
-吹的樂器
.出現在下列詩篇的標題
詩 5:1
.(根據 Gesenius 所言, 這是指唱這首詩的時候要用吹奏
樂器伴奏)
-細拉
.(這個詞詩篇中常見。用法不得而知, 可能表示人聲暫歇,
而伴奏是樂器間奏或末樂章)
-第八
.出現在下列詩篇的標題
詩 6:1 12:1
.(譯為「八」, 可能指八小節、八拍，或高八度音)
-流離歌
.出現在下列詩篇的標題
詩 7:1
.其複數型出現在下列詩篇的標題
哈 3:1
.(猜想是演奏詩歌序曲的音樂術語。在 哈 3 結尾, 作者
把頌歌「交與伶長, 用絲弦的樂器」。這個詞可能暗示
了為頌歌所譜的音樂的速度)
-百合花, 為證的百合花
.出現在下列詩篇的標題
詩 45:1 60:1 69:1 80:1
.(似乎是指演奏這些詩歌的曲風。Kimchi, Tremellius,
和 Eichhorn 譯為「六弦樂器」, 也就是說, 唱這些詩
歌時, 要用六弦樂器伴奏)
-未分類的相關經文
創 31:27 出 15:1,20,21 21:17-20 士 5:1-3 11:34
撒上 18:6,7 撒下 19:35 王上 1:40 代上 6:31,32 15:16-22,24,27,28
代上 16:4-39,41,42 22:3,5,6,27,30 25:1,5,6,7,8 代下 5:12,13
代下 20:19,21,22,28 23:13,18 29:25-28 31:2 35:15,25
拉 2:64 3:10,11 Neh 12:24,27-31 伯 21:12 30:31 詩 33:1-4
詩 68:4,25,26,32-35 81:1-3 87:7 92:1-3 95:1,2 98:1-8
詩 104:33 105:2 135:1,2,3 137:1-6 144:9 149:1-3,6
詩 150:1-6 箴 25:20 傳 2:8 賽 5:12 14:11 16:10 23:16
賽 24:8,9 30:29,32 耶 31:4 結 26:13 33:32 但 3:4,6,7
摩 6:5 8:10 太 9:23 11:17 可 14:26 林前 14:15 弗 5:19
西 3:16 來 2:12 啟 14:2,3 18:22
-見 讚美/稱頌
-見 詩篇/詩歌 |
| 內容 |
-Teachers of
1Ch 15:22 25:7,8 2Ch 23:13
-Physical effect of, on man
1Sa 6:15,16
-Discoursed during the offering of sacrifices
2Ch 29:27,28
-Precentor
Ne 12:42
-Chief musician
Ne 12:42 Hab 3:19
-Chambers for musicians in the temple, in Ezekiel's vision
Eze 40:44
-In heaven
Re 5:8,9 14:2,3 15:2,3
-INSTRUMENTS OF
.Invented by Jubal
Ge 4:21
.Invented by David
1Ch 23:5 2Ch 7:6 29:26 Am 6:5
.Made by Solomon
1Ki 10:12 2Ch 9:11 Ec 2:8
.Made by Tyrians
Eze 28:13
.CORNET
Da 3:5,7,10
.See TRUMPET
.CYMBAL
.See CYMBAL
.DULCIMER, a double pipe
Da 3:5,10,15
.FLUTE
Da 3:5,7,10,15
.GITTITH, a stringed instrument
Ps 8 81 84
.HARP
.See HARP
.ORGAN, probably composed of pipes furnishing a number of
notes
Ge 4:21 Job 21:12 30:31 Ps 150:4
.PIPE
.See PIPE
.PSALTERY
.See PSALTERY
.SACKBUT, a harp
Da 3:5,7,10,15
.TABRET
.See TIMBREL
.TIMBREL, a tambourine
.See TIMBREL
.TRUMPET
.See TRUMPET
.VIOL, a lyre
Isa 5:12 14:11 Am 5:23 6:5
-SYMBOLS USED IN
-ALAMOTH
.(Literally virgins)
.A musical term which appears in
1Ch 15:20
.And in the title of
Ps 46:1
.(It seems to indicate the rendering of the song by female
voices, possibly soprano)
-AL-TASCHITH
.It appears in the titles of
Ps 57:1 58:1 59:1 75:1
.(it seems to have been used to indicate the kind of ode, or
the kind of melody in which the ode should be sung.)
-HIGGAION
Ps 92:3
.(According to Gesenius, it signifies the murmuring tone of a
harp, and hence that the music should be rendered in a
plaintive manner.)
Ps 9:16
.(Combined with "Selah," it may have been intended to indicate
a pause in the vocal music while the instruments rendered an
interlude.)
Ps 19:14
.(Mendelssohn translates it "meditation, thought." Hence, the
music was to be rendered in a mode to promote devout
meditation.)
-MAKALATH, MASCHIL, LEANNOTH
.These terms are found in the titles of
Ps 53:1 88:1
.(Authorities grope in darkness as to their signification.
They may indicate the instruments to be played, or the melody
to be sung)
-MASCHIL
.This musical sign occurs in the titles of
Ps 32:1 42:1 44:1 45:1 52:1 53:1 54:1 55:1 74:1 78:1 88:1 89:1 142:1
.(The meaning is obscure. But its signification where it
occurs elsewhere than in the titles of Psalms is equivalent
to the English word "instruction," or to become wise by
instruction; hence, Ps 47:7: "Sing ye praises with
understanding.")
-MICAHTAM
.A musical term in the titles of
Ps 16:1 56:1 57:1 58:1 59:1 60:1
.(Luther interprets this as "golden," that is, "precious."
Ewald interprets it as signifying a plaintive manner.)
-MUTH-LABBEN
.In the title of
Ps 9:1
.(Authorities, ancient and modern, differ as to the probable
signification. Gesenius and De Wette interpret it, "with the
voice of virgins, by boys." Others derive the word from a
different Hebrew root, and interpret it as indicating that
the Psalm was a funeral ode.)
-NEGINAH and NEGINOTH
.Appear in the titles of
Ps 4:1 54:1 55:1 61:1 67:1 Hab 3:19
.(Its use seems to have been to indicate that the song should
be accompanied by stringed instruments.)
-NEHILOTH
.Appears in the title of
Ps 5:1
.(It seems to indicate, according to Gesenius, that when this
Psalm was sung it was to be accompanied by wind instruments.)
-SELAH
.(This term appears frequently in the Psalms. Its use is not
known. Possibly it signified a pause in the vocal music
while an instrumental interlude or finale was rendered.)
-SHEMINITH
.In the titles of
Ps 6:1 12:1
.(Translated "eighth," probably indicates the measure,
movement, or pitch.)
-SHIGGAION
.In the title of
Ps 7:1
.And its plural, SHIGIONOTH, in the title of
Hab 3:1
.(Supposed to be a musical term to guide in rendering the
song. At the close of the chapter, the author refers the ode
"to the chief musician, on my stringed instruments." The
term may suggest the movement in interpreting the music set
to it.)
-SHOSHANNIM and SHUSHAN-EDUTH
.In the titles to
Ps 45:1 60:1 69:1 80:1
.(Seems to indicate the manner in which these Psalms were to
be rendered. Kimchi, Tremellius, and Eichhorn render it
"hexachorda," that is, that in singing these Psalms
instruments of six strings were to accompany.)
-UNCLASSIFIED SCRIPTURES RELATING TO
Ge 31:27 Ex 15:1,20,21 21:17-20 Jud 5:1-3 11:34 1Sa
18:6,7 2Sa 19:35 1Ki 1:40 1Ch 6:31,32 15:16-22,24,27,28 16:4-39,41,42 22:3,5,6,27,30 25:1,5,6,7,8 2Ch 5:12,13 20:19,21,22,28 23:13,18 29:25-28 31:2 35:15,25 Ezr
2:64 3:10,11 Neh 12:24,27-31 Job 21:12 30:31 Ps 33:1-4 68:4,25,26,32-35 81:1-3 87:7 92:1-3 95:1,2 98:1-8 104:33 105:2 135:1,2,3 137:1-6 144:9 149:1-3,6 150:1-6 Pr 25:20 Ec 2:8 Isa 5:12 14:11 16:10 23:16 24:8,9 30:29,32 Jer 31:4 Eze 26:13 33:32 Da 3:4,6,7 Am
6:5 8:10 Mt 9:23 11:17 Mr 14:26 1Co 14:15 Eph 5:19 Col 3:16 Heb 2:12 Re 14:2,3 18:22
-See PRAISE
-See PSALMS
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